Mushaf Madinah (Brown) (36cmX25cm)

“Who is the author of the Qur’an?” On this subject scholars have flagrantly contradicted each other. This work attempts to make a critical review of the major ‘authorship’ theories by pressing into service logical arguments, historical evidence, textual analysis and scientific data. Probably, the only point of agreement about the Qur’an is that it was uttered for the first time by a man who was born in Makkah (Mecca), a city of Arabia, in the sixth century—a man by the name of Muhammad (blessings and peace be upon him). As to the source of the Qur’an, scholars are divided into three main groups: those who believe that Muhammad (blessings and peace be upon him) himself was the author; those who believe that he was not the author himself but learned it from another human author or authors; and those who believe that the Qur’an has no human author but is rather a word-for-word revelation from God. Hamza Njozi examines the three theories and comes to a firm and logical conclusion.

The Qur’an reigns supreme in Muslim hearts as the most sacred of texts: a profusion of exalted ideas to rouse the mind, noble histories to stir the soul, universal truths to awaken the conscience and precise injunctions directing humanity to its own deliverance, all distilled into the melodious essence that is the Word of Allah. Through fourteen centuries Muslims have persevered in championing the text against corruption, memorising its every word and contemplating its every phrase, so that in our own times untold millions have enthusiastically committed each letter to heart.

Beginning with a catalogue of ancient and contemporary attacks on the Qur’an, this expansive book provides unique insights into the holy text’s immaculate preservation throughout its history, as well as exploring many of the accusations leveled against it. The reception of divine revelations, Prophet Muhammad’s role in teaching and disseminating these verses, the text’s compilation under his guidance and the setting of its final external shape shortly after his death, are meticulously and scientifically examined alongside such topics as the origins of Arabic, its paleography and orthography, the so-called Mushaf of Ibn Mas’ud, and the strict methodology employed in assembling textual fragments.

By way of comparison the author investigates the histories of the Old and New Testaments, relying entirely on Judaeo-Christian sources including the Dead Sea Scrolls and uncovers a startling range of alterations that touch almost every fact of the Biblical Scriptures. Using this as a springboard for assessing Western theories regarding the Qur’an, he makes a sophisticated yet passionate case for questioning the aims of Western scholarship in continuously undermining Islam’s holy book, and illustrates convincingly that such research, motivated by more than mere curiousity, has no scientific bearing on the Qur’an’s integrity.

This monumental effort, a scholarly work composed in an impassioned tone, provides a welcome foundation for sincere study at a time when assailing the Qur’an has become all too common.

A cornerstone addition to any personal library. A Truly monumental effort. This work presents a cogent and powerful argument for the Qur’an’s unique inviolability.

This book guides readers to pronunciate the Arabic alphabet from their correct point of articulations. It also guides them to recite the Holy Qur’an according to the laws and principles of the art of recitation and intonation.

The correct pronunciation of the Arabic words and alphabet was difficult to some extent for the people living in the West as compared to those of East. So they need some more efforts to solve this problem and to make it easy for them.

By the grace of Allah, this book will do the job successfully and in a very convenient way.